At the outset of the twentieth century, a loosely affiliated group of artists centring around Henri Matisse, André Derain and Maurice de Vlaminck conducted revolutionary experiments in color. The name Fauves was bestowed on the group in 1905 by art critic Louis Vauxcelles. He first employed “fauves” in one of his articles; the term, which in English translates as “wild beasts” or “wild animals”, was intended to characterise the clique of artists who remained little known prior to 1905. It was in the group’s expressive approach to the application of color, its striking, often virulent color schemes, as well the rejection of naturalistic renderings of local colors, that Vauxcelles discerned the break with academic precedent.
More information: Kunstmuseum Basel
